Tag Archives: ipad

CinemaCon 2013: Maturity Brings Discussions of Quality in Digital Cinema

Wherever one looks at CinemaCon 2013 there is the smell of Quality Control in the air. Examples:

Jack Cashin, President of USL – famous for their test and measurement systems as well as quality systems for the deaf/hard of hearing/blind/partially sighted audiences and multi-projector movie distribution systems – is awarded the Ken Mason Inter-Society Award. They introduced a QC system last CinemaCon.

Highlands Technologies introduces the QALIF Calibration system [QALIF  Digital projection System Measurement Tool] and arranges for West US distribution with Charles Flynn of Digital Test Tools (+1 818 877-6149) — See attached presentation

Harkness Screens introduces iPad apps – Digital Screen Modeller and in particular the Digital Screen Archiver – will assist in changing people’s view of their valuable data as well as helping projectionists keep track of reality. — See attached press releases

…and last but not least…

RealD is showing the new “Precision White Screen” technology that the spoke about at last years SMPTE October event. If they can make a screen that not only broadens the sweet spot of 3D movies but is more efficient then they can do the industry a great deal of actual good.More on this after the demos. — See attached press releases

=-=-=

Although some say that new audio systems are just a way to fill the coming income void resulting from a market that is now nearly digital saturated, in fact with larger ceiling’d rooms there is a need to fill the room better. Technology has moved on from the simplicity of the 1990s’ and Atmos and Auro are taking advantage of new potentials of faster chips and algorithms that were impossible last decade.

For a decade the industry was fighting to just handle the influx that the digital transition kept piling on them. Now post-installation can be discussed.

CinemaCon 2013: Maturity Brings Discussions of Quality in Digital Cinema

Wherever one looks at CinemaCon 2013 there is the smell of Quality Control in the air. Examples:

Jack Cashin, President of USL – famous for their test and measurement systems as well as quality systems for the deaf/hard of hearing/blind/partially sighted audiences and multi-projector movie distribution systems – is awarded the Ken Mason Inter-Society Award. They introduced a QC system last CinemaCon.

Highlands Technologies introduces the QALIF Calibration system [QALIF  Digital projection System Measurement Tool] and arranges for West US distribution with Charles Flynn of Digital Test Tools (+1 818 877-6149) — See attached presentation

Harkness Screens introduces iPad apps – Digital Screen Modeller and in particular the Digital Screen Archiver – will assist in changing people’s view of their valuable data as well as helping projectionists keep track of reality. — See attached press releases

…and last but not least…

RealD is showing the new “Precision White Screen” technology that the spoke about at last years SMPTE October event. If they can make a screen that not only broadens the sweet spot of 3D movies but is more efficient then they can do the industry a great deal of actual good.More on this after the demos. — See attached press releases

=-=-=

Although some say that new audio systems are just a way to fill the coming income void resulting from a market that is now nearly digital saturated, in fact with larger ceiling’d rooms there is a need to fill the room better. Technology has moved on from the simplicity of the 1990s’ and Atmos and Auro are taking advantage of new potentials of faster chips and algorithms that were impossible last decade.

For a decade the industry was fighting to just handle the influx that the digital transition kept piling on them. Now post-installation can be discussed.

CinemaCon 2013: Maturity Brings Discussions of Quality in Digital Cinema

Wherever one looks at CinemaCon 2013 there is the smell of Quality Control in the air. Examples:

Jack Cashin, President of USL – famous for their test and measurement systems as well as quality systems for the deaf/hard of hearing/blind/partially sighted audiences and multi-projector movie distribution systems – is awarded the Ken Mason Inter-Society Award. They introduced a QC system last CinemaCon.

Highlands Technologies introduces the QALIF Calibration system [QALIF  Digital projection System Measurement Tool] and arranges for West US distribution with Charles Flynn of Digital Test Tools (+1 818 877-6149) — See attached presentation

Harkness Screens introduces iPad apps – Digital Screen Modeller and in particular the Digital Screen Archiver – will assist in changing people’s view of their valuable data as well as helping projectionists keep track of reality. — See attached press releases

…and last but not least…

RealD is showing the new “Precision White Screen” technology that the spoke about at last years SMPTE October event. If they can make a screen that not only broadens the sweet spot of 3D movies but is more efficient then they can do the industry a great deal of actual good.More on this after the demos. — See attached press releases

=-=-=

Although some say that new audio systems are just a way to fill the coming income void resulting from a market that is now nearly digital saturated, in fact with larger ceiling’d rooms there is a need to fill the room better. Technology has moved on from the simplicity of the 1990s’ and Atmos and Auro are taking advantage of new potentials of faster chips and algorithms that were impossible last decade.

For a decade the industry was fighting to just handle the influx that the digital transition kept piling on them. Now post-installation can be discussed.

IBC 2012 Tools and Tips

The 2nd issue that I noticed is that it doesn’t seem to be trustworthy yet. Besides being slow, it has wrong data. The first event that I checked – the EDCF D-Cinema Update Conference Event – shows correctly on 11 September, but doesn’t show the correct time. It shows 11AM instead of the 10AM time that the IBC site shows. It also doesn’t say where, which the online listing shows. [Room E102]

I very directly asked John Graham, General Secratary of the EDCF, about the rumor that I started which speculates that the Sunday 11AM conference on Future Projection Technologies will be all about Higgs Boson technologies and their application to Digital Cinema.

He says that he can’t announce anything in advance of the conferences.

Both the D-Cinema Update and the Future Projection Tech are free, and both are worth a fortune.

The Conference link is:

IBC2012 – Target specific areas of interest and build your own programme.


Flying into Schiphol Airport is usually pretty easy. Walking out of the customs area there are a couple rings of shops. In the past there has been an IBC welcome table where one can get their travel passes…but the travel pass is not good for the train to the RAI. The penalty for not having a ticket on the train is 35€.

There is also a bus to the RAI. I haven’t taken it and don’t know where the platform is. But the nice thing about the train is that for 3 euros it takes 10 minutes every time. Traffic can make a car or buss ride take 30 minutes.

One can go to the yellow kiosks to buy the train ticket…it isn’t obvious though…why not just select “R” and navigate to: RAI Station? Because the machine thinks of it as Amsterdam RAI…selected under the “A”.

Can you get a ticket with an out of country credit card. Sometimes, though sometimes I have seen people with English cards fail, and I have had problems with my French cards. Carry a few euros is the safe bet. And, definitely, American credit cards won’t work.


This will be an ongoing article with updates…there is still the announcements about the movies to come and most of the cool conference info is obscure…thanks be to the holy pizza that it doesn’t seem to be 3D HFR all the time.

IBC 2012 Tools and Tips

The 2nd issue that I noticed is that it doesn’t seem to be trustworthy yet. Besides being slow, it has wrong data. The first event that I checked – the EDCF D-Cinema Update Conference Event – shows correctly on 11 September, but doesn’t show the correct time. It shows 11AM instead of the 10AM time that the IBC site shows. It also doesn’t say where, which the online listing shows. [Room E102]

I very directly asked John Graham, General Secratary of the EDCF, about the rumor that I started which speculates that the Sunday 11AM conference on Future Projection Technologies will be all about Higgs Boson technologies and their application to Digital Cinema.

He says that he can’t announce anything in advance of the conferences.

Both the D-Cinema Update and the Future Projection Tech are free, and both are worth a fortune.

The Conference link is:

IBC2012 – Target specific areas of interest and build your own programme.


Flying into Schiphol Airport is usually pretty easy. Walking out of the customs area there are a couple rings of shops. In the past there has been an IBC welcome table where one can get their travel passes…but the travel pass is not good for the train to the RAI. The penalty for not having a ticket on the train is 35€.

There is also a bus to the RAI. I haven’t taken it and don’t know where the platform is. But the nice thing about the train is that for 3 euros it takes 10 minutes every time. Traffic can make a car or buss ride take 30 minutes.

One can go to the yellow kiosks to buy the train ticket…it isn’t obvious though…why not just select “R” and navigate to: RAI Station? Because the machine thinks of it as Amsterdam RAI…selected under the “A”.

Can you get a ticket with an out of country credit card. Sometimes, though sometimes I have seen people with English cards fail, and I have had problems with my French cards. Carry a few euros is the safe bet. And, definitely, American credit cards won’t work.


This will be an ongoing article with updates…there is still the announcements about the movies to come and most of the cool conference info is obscure…thanks be to the holy pizza that it doesn’t seem to be 3D HFR all the time.

iApp 2012

ARRI also has an extensive site of iApps at: ARRI CSC – Apps for Work or Play

That said, there doesn’t seem to be a section for the impossible task of “What are people using now?”, which is what I imagined for an article. It is supposed to begin with the 5 Guys iApp named Post Production Calculator App.

“We’re very happy we succeeded in creating an app that anyone working in post-production – or production, for that matter – will find useful on a regular basis. It’s simple, accurate and very intuitive…and our editors, mixers and clients use its functions on a daily basis.” What more could anyone ask for, and how well Seth said it.

 


First, the Apps that are not Production or Post Utilities

Art of the Guillotine – This app has news feeds and audio interviews with editors from around the world. Exclusive to this app: videos of panels, interviews, and discussions of film editing as well discover editors near you and upcoming events using the events section. Basically, this is the App version of the website: Art of the Guillotine – Film & Video Editing News, Websites, Articles, Videos, Blogs and More!

Original iPhone Film Festival | 2011 Showcase

SugarSync

App Store – Dropbox – Dropbox – Simplify your life

iTeleport for iPad for iPad on the iTunes App Store – iTeleport | Home

App Store – iTeleport: VNCLogMeIn Ignition vs iTeleport

 


 

Then there are these useful utilities that are not “Pro”

App Store – V.I.K.T.O.R.

 

 


 

And, what we all are looking for (not yet categorized by Production or Post…in fact, still a work in progress):

FDX Reader – Read Final Draft files on the iPhone & iPad. | Quote-Unquote Apps – App Store – FDX Reader

ShotList- Scheduling And Tracking For Filmmakers | Soluble Apps – App Store – ShotList- Movie Shoot Planning And Tracking

Post Production Calculator App by 5 guys named Moe, inc. – App Store – Post Production Calculator App by 5 guys named Moe, inc.

Sun Seeker: 3D Augmented Reality Viewer for iPhone 3GS, iPhone 4, iPhone 4S, and iPad on the iTunes App Store

App Store – pCAM Film+Digital Calculator

App Store – LightTrac

App Store – FilmSlate

App Store – DSLR Camera Remote Professional Edition

App Store – Clinometer – level and slope finder

Artemis Remote for iPad for iPad on the iTunes App Store

App Store – Artemis Director’s Viewfinder

SL DigiSlate – Apps on Android Market

Acacia for Android | AppBrain.com

ShutterSnitch – App Store – ShutterSnitch

Pro Audio To Go – App Store – Pro Audio To Go

Cut Notes – Timecode Notes on an iPad – Post Production iPad App – Cut Notes for iPad on the iTunes App Store

V-Control – V-Control Pro for iPad on the iTunes App Store

Movie★Slate > The App – App Store – Movie★Slate (Clapperboard & Shot Log)

 

 

 

More to come…

 

 

 

 

 

iApp 2012

ARRI also has an extensive site of iApps at: ARRI CSC – Apps for Work or Play

That said, there doesn’t seem to be a section for the impossible task of “What are people using now?”, which is what I imagined for an article. It is supposed to begin with the 5 Guys iApp named Post Production Calculator App.

“We’re very happy we succeeded in creating an app that anyone working in post-production – or production, for that matter – will find useful on a regular basis. It’s simple, accurate and very intuitive…and our editors, mixers and clients use its functions on a daily basis.” What more could anyone ask for, and how well Seth said it.

 


First, the Apps that are not Production or Post Utilities

Art of the Guillotine – This app has news feeds and audio interviews with editors from around the world. Exclusive to this app: videos of panels, interviews, and discussions of film editing as well discover editors near you and upcoming events using the events section. Basically, this is the App version of the website: Art of the Guillotine – Film & Video Editing News, Websites, Articles, Videos, Blogs and More!

Original iPhone Film Festival | 2011 Showcase

SugarSync

App Store – Dropbox – Dropbox – Simplify your life

iTeleport for iPad for iPad on the iTunes App Store – iTeleport | Home

App Store – iTeleport: VNCLogMeIn Ignition vs iTeleport

 


 

Then there are these useful utilities that are not “Pro”

App Store – V.I.K.T.O.R.

 

 


 

And, what we all are looking for (not yet categorized by Production or Post…in fact, still a work in progress):

FDX Reader – Read Final Draft files on the iPhone & iPad. | Quote-Unquote Apps – App Store – FDX Reader

ShotList- Scheduling And Tracking For Filmmakers | Soluble Apps – App Store – ShotList- Movie Shoot Planning And Tracking

Post Production Calculator App by 5 guys named Moe, inc. – App Store – Post Production Calculator App by 5 guys named Moe, inc.

Sun Seeker: 3D Augmented Reality Viewer for iPhone 3GS, iPhone 4, iPhone 4S, and iPad on the iTunes App Store

App Store – pCAM Film+Digital Calculator

App Store – LightTrac

App Store – FilmSlate

App Store – DSLR Camera Remote Professional Edition

App Store – Clinometer – level and slope finder

Artemis Remote for iPad for iPad on the iTunes App Store

App Store – Artemis Director’s Viewfinder

SL DigiSlate – Apps on Android Market

Acacia for Android | AppBrain.com

ShutterSnitch – App Store – ShutterSnitch

Pro Audio To Go – App Store – Pro Audio To Go

Cut Notes – Timecode Notes on an iPad – Post Production iPad App – Cut Notes for iPad on the iTunes App Store

V-Control – V-Control Pro for iPad on the iTunes App Store

Movie★Slate > The App – App Store – Movie★Slate (Clapperboard & Shot Log)

 

 

 

More to come…

 

 

 

 

 

Final Cut Pro X Released – Some Articles

Steve says:

“Final Cut Pro X is here. The speculation, the rumors, the misinformation and the hand-wringing can now mercifully stop. The hype machine is now inert and we can all get back to work. As is my custom each time a new version of Final Cut Pro is released I set about writing an article for Ken explaining what the new features mean to the rank and file editor who will be cutting with it in their day to day operation. Therefore, this article’s primary focus will be to address how FCP X’s new editing paradigms are most likely to impact your workflow.”

Ken says:
I have also created an iPad ePub version for those of you who would like to take it with you. The link to the iPad version is at the article.

Creative Cow says:
Gary Adcock has been using Final Cut from the very beginning and he’s been a fierce FCP advocate for just as long. So, when Apple pulled back a bit of the secrecy surrounding FCP X, Gary Adcock was the perfect member of the COW to dig deep into the workings of FCP X. Want proof? He has years of experience as a deadline-driven editor dealing with massive amounts of footage and was one of the first editors to master tapeless workflows, so much so that he began teaching and training tapeless production for Local 600, as well as assisting Dave Stump A.S.C on the Camera and Metadata subcommittees of the ASC’s Technology committee. Gary has also been the Tech Chair for NAB’s Director of Photography Conference. From this background, Gary seems the perfect guy to dig into an app that aspires to meet the needs and demands of the highest-end pros.

Or does it? What if Apple told you that FCP X wasn’t meant for you?

Gary goes beyond his own knee-jerk reaction to this latest release of Final Cut, to get under the hood of FCP X, and he likes a lot of what he sees.

Larry Jordan says: 

With this release, Apple made four significant changes in direction:

* For the first time, two different versions of FCP can coexist on the same system. I’ve been running FCP 7 and FCP X on the same system for months.
* Maxing out performance to take full advantage of current hardware
* Almost exclusive support for tapeless workflows
* Distribution via the App Store

FINAL CUT PRO 7 IS NOT DEAD

To me, this is one of the highlights!”