Tag Archives: VPF

Appeals Judgement in DCN VPF…

digitAll, the Australian supplier and integraor received a nice holiday present in the form of a judgement from the Australian Federal Appeals Court, with significant implications for the independent cinema industry. The case regards the negotiation of Virtual Print Fee (VPF) contracts with six Hollywood studios and digitAll’s partnership DCN…and others.

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Appeals Judgement in DCN VPF…

digitAll, the Australian supplier and integraor received a nice holiday present in the form of a judgement from the Australian Federal Appeals Court, with significant implications for the independent cinema industry. The case regards the negotiation of Virtual Print Fee (VPF) contracts with six Hollywood studios and digitAll’s partnership DCN…and others.

[……]

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The State of Digital Cinema – April 2010 | Part One

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As it is in many fields, the world of cinema involves a broad reach of talent and technology that begins with an artistic idea and encompasses the many steps required to communicate that idea to an audience. And like many fields, digital methods have become available to facilitate one step after another, though not necessarily in sequence. In the case of cinema, the fundamental digital pieces for capturing by camera and exposing with projectors were the most difficult elements to develop.

There are several production and post-production steps in between which were able to modify and often go beyond what could be done behind the scenes with film. But for capture and exposition, replacing the qualities inherent in the hundred year old technology of film required technologies that took decades to evolve after their first development in the 70’s.

Finally, in the year 2000, the first systems were ready for public preview, with an obvious roadmap of what was required to make it available for general release. Each year thereafter the prediction of `next year’ was made, only to find glitches in several nuanced steps that hindered the final development which would allow high quality, secure, and comparably inexpensive distribution and display of motion pictures. This series of documents reviews the most recent of these developments, focusing primarily on the exposition segment.


 

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