Using the Dolby 3D display system along with Dolby 7.1 surround on 11 September.
Sunday – 12 September
Conference Session – Digital restoration – new technology, new business – 1:30-13:00
Conference Session – Lights. What camera? Action: The Cinematographer’s battle to keep control of his fast expanding toolbox | David Stump, VFX supervisor, ASC | 14:00-15:30
ACES IIF brings in a 16-bit linear system based on floating point mathematics, and one thing to consider is that the 10-bit Log pipeline has been as big an encumbrance for modern film stocks as it is for digital cameras. It came out of the ASC’s camera review project.
Cinematographers cannot afford to be nostalgic for film, but the steady penetration of digital cameras looks like killing off optical media within four years.
Conference Session – Post-Produciton Workflow – How fast is your workflow? 16:00-17:30
IBC2010 Awards Ceremony
Free to attend for all show visitors – The IBC Awards are presented to the worthy winners of the Innovation Awards, the Exhibition Design Awards, the Conference Awards, the Special Award, the Judges Prize and, of course, the International Honour for Excellence, which this year has been announced as Manolo Romero, the managing director of Olympic Broadcasting Services.
Where: The Auditorium, RAI Time: 18:15 (18:30 start)
Amsterdam SuperMeet – Grand Hotel Krasnapolsky, Dam Square; 19:00 – 23:00. Doors open at 16:00.
For information visit: http://www.supermeet.com/.
Singular Software is only showing at the Supermeet – See PluralEyes for yourself
Monday – 13 September | EU DCinema Forum
Stereoscopic 3D Day |
9:30 Keynote, Cameras, 11AM Editing and 2D/3D Creation, 14:00 Exhibition, 16:00 Questions
Monday Night Movie: Avatar (Special Edition) in 3D
A special screening of Avatar, starts at 18:30 on Monday 13 September using the RealD stereoscopic 3D system.
Tuesday – EDCF
State of play: developments in D-cinema – 10AM – 13:00
Dolby – Booth 2.B28 Dolby Professional Reference Monitor;
Preview of the new PR4200, a new standard for video reference monitors
Promises P3 simulation
projection design – Booth 7.B20 projectiondesign 2K+ projector for production suites
Premier of cineo35 2.5k – the world’s first compact projector capable of showing images at a native 2560 x 1600 resolution.
Meaning that my FCP menus can be next to the image; promises 3D support and P3 simulation
Doremi – Booth 10.B10 – Qalif Cinema Set-up and qualification system
Premiered at CinemaExpo
– Booth 11.E60 – I just want to see the AG-AF100
for myself. GH1 Lens, some of the hot rod extras
Canon – Booth 11.E50 – Will they show a PL lens friendly APS-C sensor unit like that Panni?
– Booth 12.A10 – Will they have fixed the NEX-VG10
omissions? will they have a new Reference Monitor?
– No Booth – Presentation at Assimilate, and BandPro, among others according to this schedule
– Booth 7.J20 – New Media Pro Release
FilmLight – Booth 7.F31 – annual drinks event at booth – Sat, 18:00-20:00.
DVS DI – Booth 7.E25 – CLIPSTER/ Stereoscopic/ Apple ProRes 422
Cine-tal – no booth, but their Cinemage B will be displayed at several booths.
IBC Hall 1
A highlight of its stand will be a groundbreaking demonstration of lossless JPEG2000 video transport, perhaps the most compelling reason to date for broadcasters and operators to switch to JPEG2000 video transport. The main advantage of JPEG2000 compression is that it enables significant bandwidth savings when compared to un-compressed video transport and makes possibe the backhaul of HD and 3D video over 1 gigabit ethernet streams without loss of visual quality.
IBC Hall 5
Altera, Booth 5.A19 – Si
ngle-chip 4K, format-conversion reference design with integrated serial digital interface (SDI)