Tag Archives: workflow

Update: Serif Affinity Designer and other Mac Vector Graphics Programs

While searching for a new workflow into the 4K 2020 world, the program Affinity Designer was tried. The website has a Free Trial download, and it was quickly found that the rare 16 bit TIFF export was there. Joy.

OmniGraffle doesn’t have 16 bit export and they are a bit overpriced, perhaps by double. They are like the Volvo of software companies…such a great reputation that if there is any problem one thinks that it must only be happening to you. (Not that they have real problems outside of needing AI to tell the user what their Export size and detail really means and charging an extra arm for the Pro version.)

Keynote doesn’t have 16-bit TIFF export and they have several other problems with exporting, regardless of how precisely great the drawing features are. For example, a 4:4:4 or 4:2:2 QuickTime export can only be done in 30 frames – which may transform well, but not perfectly and who wants the agro. Also, if you try to make a 4096 x 2160 export…well, you can’t. You are limited to 3840…so, two jumbles making it hard for for cinema workflow. Not only is the TIFF export only 8-bit, but it will often mistakenly and incorrectly anti-alias a set of close single pixel white lines – close like, separated by a pixel of black, turning them into grey spectacles, I can tell they’ve had their fun, and …AND, somehow, a pdf export cuts off a row or 2…very depressing. Your author wakes every morning by going to the App Store and hoping for a new version that will cleanse the taste of people who continue to say that Keynote is not meant to be a professional program…even though it is used all over the world by professionals using 4K projectors and importing into FCPX and Motion.

There are a few other programs with trial versions, most with only 8 bit per channel export, and who knows about the ones that don’t. Pixelmator looked very interesting, but it is more cumbersome to work with than Affinity Designer. Autodesk has bought up iDraw and renamed it “Graphic”, so maybe there is some high def hope from there soon. Perhaps Sketch has it down with 16 bit, but like most subscription-ware, no trial. Inkscape has some promise though the UI is still in flux and can’t be judged. It and GIMP are open source and free, so they have a lot of interest.

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Update: Serif Affinity Designer and other Mac Vector Graphics Programs

While searching for a new workflow into the 4K 2020 world, the program Affinity Designer was tried. The website has a Free Trial download, and it was quickly found that the rare 16 bit TIFF export was there. Joy.

OmniGraffle doesn’t have 16 bit export and they are a bit overpriced, perhaps by double. They are like the Volvo of software companies…such a great reputation that if there is any problem one thinks that it must only be happening to you. (Not that they have real problems outside of needing AI to tell the user what their Export size and detail really means and charging an extra arm for the Pro version.)

Keynote doesn’t have 16-bit TIFF export and they have several other problems with exporting, regardless of how precisely great the drawing features are. For example, a 4:4:4 or 4:2:2 QuickTime export can only be done in 30 frames – which may transform well, but not perfectly and who wants the agro. Also, if you try to make a 4096 x 2160 export…well, you can’t. You are limited to 3840…so, two jumbles making it hard for for cinema workflow. Not only is the TIFF export only 8-bit, but it will often mistakenly and incorrectly anti-alias a set of close single pixel white lines – close like, separated by a pixel of black, turning them into grey spectacles, I can tell they’ve had their fun, and …AND, somehow, a pdf export cuts off a row or 2…very depressing. Your author wakes every morning by going to the App Store and hoping for a new version that will cleanse the taste of people who continue to say that Keynote is not meant to be a professional program…even though it is used all over the world by professionals using 4K projectors and importing into FCPX and Motion.

There are a few other programs with trial versions, most with only 8 bit per channel export, and who knows about the ones that don’t. Pixelmator looked very interesting, but it is more cumbersome to work with than Affinity Designer. Autodesk has bought up iDraw and renamed it “Graphic”, so maybe there is some high def hope from there soon. Perhaps Sketch has it down with 16 bit, but like most subscription-ware, no trial. Inkscape has some promise though the UI is still in flux and can’t be judged. It and GIMP are open source and free, so they have a lot of interest.

[……]

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IRIDAS Certifies Facilis Technology’s TerraBlock for Complete Range of Stereoscopic Review and Real

 IRIDAS (www.iridas.com) today announced it has completed certification for Facilis Technology’s TerraBlock (www.facilis.com), the industry’s leading shared media storage solution for the post production and content creation marketplace. As a result of this, IRIDAS is ensuring customers a shared media storage solution is optimized for high performance 2K and 4K DI workflows in both 2D and 3D stereoscopic production environments. Additionally, as TerraBlock is a turnkey solution, customers are guaranteed out-of-the-box compatibility and performance with all IRIDAS stereoscopic review and real time color grading solutions.

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