Tag Archives: Deaf

Cinema Accessibility to Inclusion – A White Paper

Cultures and technologies advance, not always simultaneously nor without mess excitement interesting times.

This white paper describes the film to di[……]

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Cinema Accessibility to Inclusion – A White Paper

Cultures and technologies advance, not always simultaneously nor without mess excitement interesting times.

This white paper describes the film to di[……]

Read more

Post-Installation Cinema Test Tools; USL LSS-100 and DTT Digital eXperience Guardian

Post-Installation Quality Control for the Cinema Auditorium is finally getting some tools fit for the modern digital age. Two companies are putting network products into the sector which, up until now, was only filled with multi-thousand dollar test rigs or hand held units. (No smear intended on the new Meyer Sound X12 and Harkness Screen test devices released in the last 6 months – both are nice hand held units and fit for their purpose.)

First, the USL LSS-100 Light & Sound Sensor measures sound pressure level, luminance and chromaticity from its mounted position on the back wall of the theater auditorium. The 2 degree spot measurement is transmitted to the user as XYZ and x, y points and CCT, with great precision. The audio section measures C weighted pink noise, giving the level in the room in tenths of a dB.

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Post-Installation Cinema Test Tools; USL LSS-100 and DTT Digital eXperience Guardian

Post-Installation Quality Control for the Cinema Auditorium is finally getting some tools fit for the modern digital age. Two companies are putting network products into the sector which, up until now, was only filled with multi-thousand dollar test rigs or hand held units. (No smear intended on the new Meyer Sound X12 and Harkness Screen test devices released in the last 6 months – both are nice hand held units and fit for their purpose.)

First, the USL LSS-100 Light & Sound Sensor measures sound pressure level, luminance and chromaticity from its mounted position on the back wall of the theater auditorium. The 2 degree spot measurement is transmitted to the user as XYZ and x, y points and CCT, with great precision. The audio section measures C weighted pink noise, giving the level in the room in tenths of a dB.

[……]

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Get Your HI Tracks On

The transition from 8 channels to 16 channels of audio in the digital cinema domain has brought a surprising amount of angst recently. Actually, it was only a proxy for the entire transition from the nothing-but-potential era of 10 years ago, through what was called the InterOp Standard and into a set of standards created by the SMPTE.

This transition has been mirrored in the world of the deaf and hard of hearing as it relates to the digital cinema world.

[……]

Read more

Get Your HI Tracks On

The transition from 8 channels to 16 channels of audio in the digital cinema domain has brought a surprising amount of angst recently. Actually, it was only a proxy for the entire transition from the nothing-but-potential era of 10 years ago, through what was called the InterOp Standard and into a set of standards created by the SMPTE.

This transition has been mirrored in the world of the deaf and hard of hearing as it relates to the digital cinema world.

[……]

Read more

Deaf Sue Cinemark Chain

Going to the movies is central part of mainstream American life. More than 200 million Americans went to the movies last year according to the Motion Picture Association of America. But a lawsuit filed today in Alameda Superior Court alleges that the Cinemark movie chain, the third largest in the country, discriminates against the deaf and hard of hearing communities by failing to provide any captioned movies at its theaters in Alameda County.

 

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