- CC13-41 Accessibility – SPECIAL FEATURE – Intro and Overview
- CC13-42 Accessibility – Regal Ent – Randy Smith – Intro, legislation and litigation
- CC13-43 Accessibility – Doremi – Michael Archer – CaptiView and Fidelio
- CC13-44 Accessibility – USL – Clint Koch – CCR-100, CCH-100, IRH-230
- CC13-45 Accessibility – Sony – Christopher Simpson – Glasses and audio
- CC13-46 Accessibility – Panel questions
- CC13-47 Accessibility – WGBH – Rear Window CCAP
- CC13-48 Accessibility – USL – CCH-100 CCAP glasses
- CC13-49 Accessibility – USL – CCR-100 CCAP
- CC13-50 Accessibility – Sony – CCAP glasses
- CC13-51 Accessibility – Doremi – Fedelio HI,VI audio
- CC13-52 Accessibility – Doremi – CaptiView CCAP
Tag Archives: cine tech geek
Captioning CinemaCon 2013–CineTech Geek
- CC13-41 Accessibility – SPECIAL FEATURE – Intro and Overview
- CC13-42 Accessibility – Regal Ent – Randy Smith – Intro, legislation and litigation
- CC13-43 Accessibility – Doremi – Michael Archer – CaptiView and Fidelio
- CC13-44 Accessibility – USL – Clint Koch – CCR-100, CCH-100, IRH-230
- CC13-45 Accessibility – Sony – Christopher Simpson – Glasses and audio
- CC13-46 Accessibility – Panel questions
- CC13-47 Accessibility – WGBH – Rear Window CCAP
- CC13-48 Accessibility – USL – CCH-100 CCAP glasses
- CC13-49 Accessibility – USL – CCR-100 CCAP
- CC13-50 Accessibility – Sony – CCAP glasses
- CC13-51 Accessibility – Doremi – Fedelio HI,VI audio
- CC13-52 Accessibility – Doremi – CaptiView CCAP
Why film will end by late 2013
Panel Participants:
John Fithian – President & CEO, National Association of Theatre Owners
Joe Hart – Senior Vice President, Deluxe Digital Cinema
Larry O’Reilly – Executive Vice President Theatre Development, IMAX
Joel Pearlman – Managing Director, Roadshow Films & Chairman, Motion Picture Distributors Association of Australia
Allan Stiles – Managing Director, Grand Cinemas & Board Member, National Association of Cinema Operators-Australasia
Wayne Duband – former CEO, Warner Bros. International & current Independent Representative for Major Product
The site for all the posts is: CineTechGeek
Index of Posts
- 3D cinema brief overview and demo of XpanD 3D system
- 3D Glasses – LCD system by XpanD
- 3D Glasses – Polarizing
- 3D Windows and Masking for 3D in Cinemas
- AIMC2011 – Keynote – John Fithian – 1 – Our Business Is Strong
- AIMC2011 – Keynote – John Fithian – 2 – Get to Digital
- AIMC2011 – Keynote – John Fithian – 3 – How Does Digital Help The Cinema
- AIMC2011 – Keynote – John Fithian – 4 – Help Small Operators
- AIMC2011 – Keynote – John Fithian – 5 – Film Will End Late 2013
- AIMC2011 – Keynote – John Fithian – 6 – Early VOD Releases Hurting Cinemas
- AIMC2011 – PANEL – 1 of 7 – Last Challengers Left In Digital Revolution
- AIMC2011 – PANEL – 2 of 7 – 2D vs 3D. Is this a Bubble?
- AIMC2011 – PANEL – 3 of 7 – IMAX – Alternative Content and 3D
- AIMC2011 – PANEL – 4 of 7 – Alternate Content In General
- AIMC2011 – PANEL – 5 of 7 – Release Window Effect
- AIMC2011 – PANEL – 6 of 7 – Why film will end by late 2013
- AIMC2011 – PANEL – 7 of 7 – Going Digital Is Not Expensive
- Cinema and Digital Media. Now and into the future.
- CinemaCon 2011 – 01 – Introduction
- CinemaCon 2011 – 02 – Cameron, Lucas, Ketzenberg on future of Film, Part1
- CinemaCon 2011 – 03 – Cameron, Lucas, Ketzenberg on future of Film, Part2
- CinemaCon 2011 – 04 – Cameron, Lucas, Ketzenberg on future of Film, Part3
- CinemaCon 2011 – 05 – Cameron, Lucas, Ketzenberg on future of Film, Part4
- CinemaCon 2011 – 06 – Cameron, Lucas, Ketzenberg on future of Film, Part5
- CinemaCon 2011 – 07 – Cameron, Lucas, Ketzenberg on future of Film, Part6
- CinemaCon 2011 – 08 – Cameron, Lucas, Ketzenberg on future of Film, Part7
- CinemaCon 2011 – 09 – QLi Lights and Lamps
- CinemaCon 2011 – 10 – Perforated Screen with Severtson
- CinemaCon 2011 – 11- DepthQ 3D
- CinemaCon 2011 – 12 – Mikrom IMB
- CinemaCon 2011 – 13 – DataSat AP20 Sound Processor
- CinemaCon 2011 – 14 – Digital Changes – David Hancock
- CinemaCon 2011 – 15 – Digital Changes – Steve Perrin
- CinemaCon 2011 – 16 – Digital Changes – James Kang
- CinemaCon 2011 – 17 – Digital Changes – Michael Karagosian
Open Source DCP Mastering
There are two threads on the RED User forum:
Digital cinema package – how i, a computer neophyte, made an open source dcp on my ma – REDUSER.net
This one has excellent data on preparing your audio and video materials: Digital Cinema Package – REDUSER.net
Film maker Chris Perry writes the A-Z on his site as well, which he recently updated: crumbs: Making a DCP entirely with open source tools (update)
Clyde has other articles on the site, one that explains Doremi’s CineAssist version
Doremi’s CineAssist allows for in-house 3D DCP mastering
For a myriad of other DCinema best practices, especially focused on Stereoscopic 3D, see his blog:
http://www.realvision.ae/blog
There are many restrictions in the open source model at this point. Alternative frame rates (anything other than 24 frames) is not easy…or perhaps not even possible if you don’t have a means of creating a JPEG 2000 version of your output…which is a requirement of the DCP.
Knut Erik Evensen‘s site promotes his DCP mastering services and he also has an article on the open source capabilities, DCPC, a frontend to open source DCP tools.
Lars Reichel has a front end for DCP creation: Digital Cinema Package Creator
No matter how much reading you do, these techniques are not simple or for those without excellent computer skills.
Still free, but possibly not open sourced, one cannot neglect the excellent work from the Fraunhofer Institute in Germany, centering a suite of products around easyDCP, easyDCP Creator, easyDCP Player and easyDCP Workflow Plug-Ins.
The sister company of the Aussie integrators Digital Cinema Network is the developerment group digitAll, who have introduced the dcpPlayer for the desktop computer and are soon to release dcpEncoder. (digitAll is also a sister group to Cine Tech Geek, a great place to get practical demonstrations of digital cinema equipment and concepts.)