All posts by Like Tangents In The Rain

Lesson One: Who’s on the Network

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The beauty of this tool is that it is free. Here is what they say the highlights are:

PRODUCT USAGE:

  • IP Address Tracker Highlights:
  • Track an unlimited number of IP addresses for a unified, at-a-glance view of your entire IP address space
  • See which IP addresses are in use – and which are not
  • Eliminate manual errors while ensuring that IP addresses are listed in the right place
  • Determine the last time an IP address was used
  • Pre-populate key statistics like DNS and response time

The Solar Winds IP Address Tracker can be downloaded from the Solar Winds site at: SolarWinds-IPAddressTracker-v1.zip For pro or beginner, it is a good first tool to use as the week turns to next week and the administration of your system hasn’t been done.

It is simple enough to use straight after download, but you will find an email in your inbox that will give you links to several courses of materials. Except for those who make IP their daily business, we’d recommend them all.

As you would expect, since everything in digital cinema seems to change every year, IP is going to change this year. Early in June the first official day of IPv6 will come and go. Nothing will change since so much of our equipment has been developed for this day to come and go. But it would be a good thing to have a handle on the situation well in advance. Who knows what switch or router is so old and the firmware so grey that it might freak on the new larger numbers.

On the more practical level, new projectors are going to have IMBs as well as SMS units. One more set of IP addresses to track. Why not train a few people on this in your organization?

2012: The DCinema Year of…

Barco has brought a somewhat mainstream 3D audio system into the market after years of Iosonno and immsound plowing the ground. Building on Dolby’s work to fill the void in large stadium-seating auditorium venues, this Auro-3D system seems to have some momentum. Barco | Digital cinema | 3D sound | 3D sound technology for digital …

Meanwhile, IMAX and Laser Light Engines still promise laser driven projectors this year. Barco showed their work-in-progress last month getting 22 ftL on a 70+ foot screen. (More data coming.) RED made rumblings last year about an imminent release, though they have been redefining what imminent means. Regardless, laser will soon be mainstream. This year?

Alternative Frame Rates took the stage with James Cameron demonstrating how in tune the drum was that he has been pounding for years – that higher resolution was well and good, but not as well and good as higher frame rates. What we know is that the Hobbit will be released in 48 frames per second and Pandora II will be in 60…when it arrives.

What else? Maybe this will be the year that alternative content starts showing the promise it held in making up for the huge increase in equipment costs of the digital world?

What else, or which?

Maybe it is just the year of Catchin’ Up. The frame rate should have been 48 frames from the beginning, but who knew? (…or could do it until now?_) Audio should be more refined for the larger spaces and voids of stadium seating, for alternative content and for the room next door. And getting rid of the heat sucking xenons for lasers? … not a moment too soon. This year will also finally see the conversion to the SMPTE standard from the InterOp standard. Hopefully no one outside the projection booth will notice.

2012: The DCinema Year of…

Barco has brought a somewhat mainstream 3D audio system into the market after years of Iosonno and immsound plowing the ground. Building on Dolby’s work to fill the void in large stadium-seating auditorium venues, this Auro-3D system seems to have some momentum. Barco | Digital cinema | 3D sound | 3D sound technology for digital …

Meanwhile, IMAX and Laser Light Engines still promise laser driven projectors this year. Barco showed their work-in-progress last month getting 22 ftL on a 70+ foot screen. (More data coming.) RED made rumblings last year about an imminent release, though they have been redefining what imminent means. Regardless, laser will soon be mainstream. This year?

Alternative Frame Rates took the stage with James Cameron demonstrating how in tune the drum was that he has been pounding for years – that higher resolution was well and good, but not as well and good as higher frame rates. What we know is that the Hobbit will be released in 48 frames per second and Pandora II will be in 60…when it arrives.

What else? Maybe this will be the year that alternative content starts showing the promise it held in making up for the huge increase in equipment costs of the digital world?

What else, or which?

Maybe it is just the year of Catchin’ Up. The frame rate should have been 48 frames from the beginning, but who knew? (…or could do it until now?_) Audio should be more refined for the larger spaces and voids of stadium seating, for alternative content and for the room next door. And getting rid of the heat sucking xenons for lasers? … not a moment too soon. This year will also finally see the conversion to the SMPTE standard from the InterOp standard. Hopefully no one outside the projection booth will notice.

Free International DCinema Business Directory…How To…

Pull down any menu to “Business Directory”. The new window has an “Add New” button which you should click.

The new window has a Select Category button, which you should click.

Here is the not so User Cuddly part…at least for Apple people…click on the “+” sign of the main category, then click on the category that you choose to identify yourself with. Click “Add Category”. You can add multiple categories by repeating the selection process. Good luck and yes, it is Darwinian. When you are ready, click Close.

The rest of the form is somewhat obvious.


Again with the registered and logged in issue. If a registered and logged in PR person adds your account information (for example), only that PR person will be able to modify the information. Yes; the editor can do it also. Contact me. In fact, let me know how this worked out and how to make it better.

Thanks,

[email protected]

Pull Down to Business DirectoryClick On Add EntrySelect Category 1Really Select the Categories

Free International DCinema Business Directory…How To…

Pull down any menu to “Business Directory”. The new window has an “Add New” button which you should click.

The new window has a Select Category button, which you should click.

Here is the not so User Cuddly part…at least for Apple people…click on the “+” sign of the main category, then click on the category that you choose to identify yourself with. Click “Add Category”. You can add multiple categories by repeating the selection process. Good luck and yes, it is Darwinian. When you are ready, click Close.

The rest of the form is somewhat obvious.


Again with the registered and logged in issue. If a registered and logged in PR person adds your account information (for example), only that PR person will be able to modify the information. Yes; the editor can do it also. Contact me. In fact, let me know how this worked out and how to make it better.

Thanks,

[email protected]

Pull Down to Business DirectoryClick On Add EntrySelect Category 1Really Select the Categories

iApp 2012

ARRI also has an extensive site of iApps at: ARRI CSC – Apps for Work or Play

That said, there doesn’t seem to be a section for the impossible task of “What are people using now?”, which is what I imagined for an article. It is supposed to begin with the 5 Guys iApp named Post Production Calculator App.

“We’re very happy we succeeded in creating an app that anyone working in post-production – or production, for that matter – will find useful on a regular basis. It’s simple, accurate and very intuitive…and our editors, mixers and clients use its functions on a daily basis.” What more could anyone ask for, and how well Seth said it.

 


First, the Apps that are not Production or Post Utilities

Art of the Guillotine – This app has news feeds and audio interviews with editors from around the world. Exclusive to this app: videos of panels, interviews, and discussions of film editing as well discover editors near you and upcoming events using the events section. Basically, this is the App version of the website: Art of the Guillotine – Film & Video Editing News, Websites, Articles, Videos, Blogs and More!

Original iPhone Film Festival | 2011 Showcase

SugarSync

App Store – Dropbox – Dropbox – Simplify your life

iTeleport for iPad for iPad on the iTunes App Store – iTeleport | Home

App Store – iTeleport: VNCLogMeIn Ignition vs iTeleport

 


 

Then there are these useful utilities that are not “Pro”

App Store – V.I.K.T.O.R.

 

 


 

And, what we all are looking for (not yet categorized by Production or Post…in fact, still a work in progress):

FDX Reader – Read Final Draft files on the iPhone & iPad. | Quote-Unquote Apps – App Store – FDX Reader

ShotList- Scheduling And Tracking For Filmmakers | Soluble Apps – App Store – ShotList- Movie Shoot Planning And Tracking

Post Production Calculator App by 5 guys named Moe, inc. – App Store – Post Production Calculator App by 5 guys named Moe, inc.

Sun Seeker: 3D Augmented Reality Viewer for iPhone 3GS, iPhone 4, iPhone 4S, and iPad on the iTunes App Store

App Store – pCAM Film+Digital Calculator

App Store – LightTrac

App Store – FilmSlate

App Store – DSLR Camera Remote Professional Edition

App Store – Clinometer – level and slope finder

Artemis Remote for iPad for iPad on the iTunes App Store

App Store – Artemis Director’s Viewfinder

SL DigiSlate – Apps on Android Market

Acacia for Android | AppBrain.com

ShutterSnitch – App Store – ShutterSnitch

Pro Audio To Go – App Store – Pro Audio To Go

Cut Notes – Timecode Notes on an iPad – Post Production iPad App – Cut Notes for iPad on the iTunes App Store

V-Control – V-Control Pro for iPad on the iTunes App Store

Movie★Slate > The App – App Store – Movie★Slate (Clapperboard & Shot Log)

 

 

 

More to come…

 

 

 

 

 

iApp 2012

ARRI also has an extensive site of iApps at: ARRI CSC – Apps for Work or Play

That said, there doesn’t seem to be a section for the impossible task of “What are people using now?”, which is what I imagined for an article. It is supposed to begin with the 5 Guys iApp named Post Production Calculator App.

“We’re very happy we succeeded in creating an app that anyone working in post-production – or production, for that matter – will find useful on a regular basis. It’s simple, accurate and very intuitive…and our editors, mixers and clients use its functions on a daily basis.” What more could anyone ask for, and how well Seth said it.

 


First, the Apps that are not Production or Post Utilities

Art of the Guillotine – This app has news feeds and audio interviews with editors from around the world. Exclusive to this app: videos of panels, interviews, and discussions of film editing as well discover editors near you and upcoming events using the events section. Basically, this is the App version of the website: Art of the Guillotine – Film & Video Editing News, Websites, Articles, Videos, Blogs and More!

Original iPhone Film Festival | 2011 Showcase

SugarSync

App Store – Dropbox – Dropbox – Simplify your life

iTeleport for iPad for iPad on the iTunes App Store – iTeleport | Home

App Store – iTeleport: VNCLogMeIn Ignition vs iTeleport

 


 

Then there are these useful utilities that are not “Pro”

App Store – V.I.K.T.O.R.

 

 


 

And, what we all are looking for (not yet categorized by Production or Post…in fact, still a work in progress):

FDX Reader – Read Final Draft files on the iPhone & iPad. | Quote-Unquote Apps – App Store – FDX Reader

ShotList- Scheduling And Tracking For Filmmakers | Soluble Apps – App Store – ShotList- Movie Shoot Planning And Tracking

Post Production Calculator App by 5 guys named Moe, inc. – App Store – Post Production Calculator App by 5 guys named Moe, inc.

Sun Seeker: 3D Augmented Reality Viewer for iPhone 3GS, iPhone 4, iPhone 4S, and iPad on the iTunes App Store

App Store – pCAM Film+Digital Calculator

App Store – LightTrac

App Store – FilmSlate

App Store – DSLR Camera Remote Professional Edition

App Store – Clinometer – level and slope finder

Artemis Remote for iPad for iPad on the iTunes App Store

App Store – Artemis Director’s Viewfinder

SL DigiSlate – Apps on Android Market

Acacia for Android | AppBrain.com

ShutterSnitch – App Store – ShutterSnitch

Pro Audio To Go – App Store – Pro Audio To Go

Cut Notes – Timecode Notes on an iPad – Post Production iPad App – Cut Notes for iPad on the iTunes App Store

V-Control – V-Control Pro for iPad on the iTunes App Store

Movie★Slate > The App – App Store – Movie★Slate (Clapperboard & Shot Log)

 

 

 

More to come…

 

 

 

 

 

Laser Projection Group Introduction

The Laser Illuminated Projector Association (LIPA) has released a pdf that outlines their purpose. Generally speaking, there are many international rules that require laser-based equipment to go through regulatory agencies which might make sense for other products (which might use focused light in the output), but don’t make sense for laser-based projectors (which use a diffuse light that substitutes for the xenon bulb.)

The pdf is here: Introducing LIPA

The LIPA website with much more information is: LIPA Website

Laser Projection Group Introduction

The Laser Illuminated Projector Association (LIPA) has released a pdf that outlines their purpose. Generally speaking, there are many international rules that require laser-based equipment to go through regulatory agencies which might make sense for other products (which might use focused light in the output), but don’t make sense for laser-based projectors (which use a diffuse light that substitutes for the xenon bulb.)

The pdf is here: Introducing LIPA

The LIPA website with much more information is: LIPA Website

Laser Projection Group Introduction

The Laser Illuminated Projector Association (LIPA) has released a pdf that outlines their purpose. Generally speaking, there are many international rules that require laser-based equipment to go through regulatory agencies which might make sense for other products (which might use focused light in the output), but don’t make sense for laser-based projectors (which use a diffuse light that substitutes for the xenon bulb.)

The pdf is here: Introducing LIPA

The LIPA website with much more information is: LIPA Website