Category Archives: Advices

A source for information from the Societies and consultants…

Excellent 3D Presentations of Ray Zone – RIP

Conference and Exhibition

The World’s Premier Conference for 3D Innovation

 
 

vale Ray Zone

The chairs and committee of the Stereoscopic Displays and Applications conference wish to recognize the contributions of 3D author and historian Ray Zone, who passed away last week.

We have read the many heartfelt and warm reports of Ray’s impact on and contributions to our stereoscopic 3D community.  It is clear that Ray was an inspiration to many in the 3D community.  He was warm and generous and always happy to share his vast knowledge with newcomers as well as with fellow experts.  He will be acutely missed and remembered in the years to come.

As a tribute to Ray’s accomplishments in the world of stereoscopic 3D, the SD&A conference, SPIE and IS&T, have made available three items to help us remember Ray:

–          A short candid 3D video of Ray at the _1992_ SD&A conference filmed by David Starkman.  The video is available on YouTube3D here:  http://www.youtube.com/watch?v=rgFCryWZtXM

–          Then we can fast-forward 20 years to the _2012_ SD&A conference this past January to witness Ray’s conference presentation “Thinking in Z-Space: Flatness and Spatial Narrativity”
http://river-valley.tv/thinking-in-z-space-flatness-and-spatial-narrativity/
At the beginning of the video you can hear Ray saying “I’ve been coming to this conference now for 20 years on and off and it’s a joy to be here” – it’s not often that there is video evidence of that 20 year involvement!

–          Finally, SPIE Press has kindly provided open access to Ray’s two published papers that were presented at the SD&A conference in 1996 and 2012.
The papers are: 
Ray Zone (2012) “Thinking in Z-Space: Flatness and Spatial Narrativity”
http://proceedings.spiedigitallibrary.org/proceeding.aspx?articleid=1282677
and
Ray Zone (1996) “Deep image: 3D in art and science” (Keynote Presentation)
http://proceedings.spiedigitallibrary.org/proceeding.aspx?articleid=1013971
These papers will remain open access until the end of February.

You may also wish to visit his Wikipedia entry: http://en.wikipedia.org/wiki/Ray_Zone

We hope you will appreciate this opportunity to see, hear and read of Ray’s impact on the 3D community.

RIP Ray.

Andrew Woods

Co-Chair Stereoscopic Displays and Applications

www.stereoscopic.org

 

 

Excellent 3D Presentations of Ray Zone – RIP

Conference and Exhibition

The World’s Premier Conference for 3D Innovation

 
 

vale Ray Zone

The chairs and committee of the Stereoscopic Displays and Applications conference wish to recognize the contributions of 3D author and historian Ray Zone, who passed away last week.

We have read the many heartfelt and warm reports of Ray’s impact on and contributions to our stereoscopic 3D community.  It is clear that Ray was an inspiration to many in the 3D community.  He was warm and generous and always happy to share his vast knowledge with newcomers as well as with fellow experts.  He will be acutely missed and remembered in the years to come.

As a tribute to Ray’s accomplishments in the world of stereoscopic 3D, the SD&A conference, SPIE and IS&T, have made available three items to help us remember Ray:

–          A short candid 3D video of Ray at the _1992_ SD&A conference filmed by David Starkman.  The video is available on YouTube3D here:  http://www.youtube.com/watch?v=rgFCryWZtXM

–          Then we can fast-forward 20 years to the _2012_ SD&A conference this past January to witness Ray’s conference presentation “Thinking in Z-Space: Flatness and Spatial Narrativity”
http://river-valley.tv/thinking-in-z-space-flatness-and-spatial-narrativity/
At the beginning of the video you can hear Ray saying “I’ve been coming to this conference now for 20 years on and off and it’s a joy to be here” – it’s not often that there is video evidence of that 20 year involvement!

–          Finally, SPIE Press has kindly provided open access to Ray’s two published papers that were presented at the SD&A conference in 1996 and 2012.
The papers are: 
Ray Zone (2012) “Thinking in Z-Space: Flatness and Spatial Narrativity”
http://proceedings.spiedigitallibrary.org/proceeding.aspx?articleid=1282677
and
Ray Zone (1996) “Deep image: 3D in art and science” (Keynote Presentation)
http://proceedings.spiedigitallibrary.org/proceeding.aspx?articleid=1013971
These papers will remain open access until the end of February.

You may also wish to visit his Wikipedia entry: http://en.wikipedia.org/wiki/Ray_Zone

We hope you will appreciate this opportunity to see, hear and read of Ray’s impact on the 3D community.

RIP Ray.

Andrew Woods

Co-Chair Stereoscopic Displays and Applications

www.stereoscopic.org

 

 

DoJ Links…and others

Maybe you’re researching:

2010 ADA Standards for Accessible Design [Large PDF; Search on “219.3 Receivers.”]

Digital accessibility: Exhibition industry aims to deliver entertainment for all

Feds consider movie-captioning rule : Hearing Loss Law

Live Webcast – ANPRM Hearing in Washington, DC – open captions

Digital Cinema Specification Documents FAQ from a software writer and all around nice guy, Wolfgang Woehl

‎isdcf.com/papers/20091111-TimelineForAccessibility.pdf 

Troubles getting CSP/RPL protocol through SMPTE

Nondiscrimination on the Basis of Disability: Movie Captioning and Video Description [DoJ Proposed Rule]

Movies | Hearing Loss Association of America [Great List of Advances]

Captionfish – a Captioned Movies Search Engine: The latest captioning technology – a 2011 CinemaCon report

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

Enabling the Disabled in Digital Cinema [Kaagsian Article]

Update on Digital Cinema Support for Those with Disabilities: December 2010 [Karagosian Site]

Subtitled cinema – why it matters – Action On Hearing Loss: RNID

Fire Alarm to Protest Against a Captioned Movie? | Audio Accessibility

Captioning, Subtitles, Accessibility, Technology, CART, STTR, Language, Literacy, Translation, Interpretation

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

‎www.titrafilm.com/uploads/Sourds_malentendant_audiodescription_TITRA_FILM.fr.pdf

‎www.uslinc.com:8880/ftp/CCE-100/Cce100manual.pdf

Your Local Cinema .com – Subtitled and Audio Described cinema

Community and Culture – Frequently Asked Questions | National Association of the Deaf

Agreement on Terminology – International Federation of Hard of Hearing People

‎Washington State Communication Access Project Final Order (pdf)

 Accessibility at AMC Theaters – In Theaters and Online

Association of Science–Technology Center; What Captioning Is and Who Uses It

NATO Comments. April 2000; Washington DC Movie Captioning Lawsuit

Report to Film Council – UK Film Council – British Film Institute

Inclusion Daily Express — One In Seven UK Cinemas Offers Captioning And Audio-Description | Cinema Technology Article – September 2008

Digital Screen Network Content Specification V1.1; 20 December 2005 [pdf]

Nondiscrimination on the Basis of Disability by Public Accommodations and in Commercial Facilities

Digital Cinema Specification Documents List

Screen Australia: Research – Cinema – Screens and theatres – Totals | – By exhibitor

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

Subtitled cinema – why it matters – Action On Hearing Loss: RNID

Open captions for movies – the real story | Media Access Australia

Fire Alarm to Protest Against a Captioned Movie? | Audio Accessibility

Deafness Council Western Australia Inc

Captioned movies

Deaf Chat | People Deaf Culture – AllDeaf.com

Captioning, Subtitles, Accessibility, Technology, CART, STTR, Language, Literacy, Translation, Interpretation

DoJ Links…and others

Maybe you’re researching:

2010 ADA Standards for Accessible Design [Large PDF; Search on “219.3 Receivers.”]

Digital accessibility: Exhibition industry aims to deliver entertainment for all

Feds consider movie-captioning rule : Hearing Loss Law

Live Webcast – ANPRM Hearing in Washington, DC – open captions

Digital Cinema Specification Documents FAQ from a software writer and all around nice guy, Wolfgang Woehl

‎isdcf.com/papers/20091111-TimelineForAccessibility.pdf 

Troubles getting CSP/RPL protocol through SMPTE

Nondiscrimination on the Basis of Disability: Movie Captioning and Video Description [DoJ Proposed Rule]

Movies | Hearing Loss Association of America [Great List of Advances]

Captionfish – a Captioned Movies Search Engine: The latest captioning technology – a 2011 CinemaCon report

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

Enabling the Disabled in Digital Cinema [Kaagsian Article]

Update on Digital Cinema Support for Those with Disabilities: December 2010 [Karagosian Site]

Subtitled cinema – why it matters – Action On Hearing Loss: RNID

Fire Alarm to Protest Against a Captioned Movie? | Audio Accessibility

Captioning, Subtitles, Accessibility, Technology, CART, STTR, Language, Literacy, Translation, Interpretation

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

‎www.titrafilm.com/uploads/Sourds_malentendant_audiodescription_TITRA_FILM.fr.pdf

‎www.uslinc.com:8880/ftp/CCE-100/Cce100manual.pdf

Your Local Cinema .com – Subtitled and Audio Described cinema

Community and Culture – Frequently Asked Questions | National Association of the Deaf

Agreement on Terminology – International Federation of Hard of Hearing People

‎Washington State Communication Access Project Final Order (pdf)

 Accessibility at AMC Theaters – In Theaters and Online

Association of Science–Technology Center; What Captioning Is and Who Uses It

NATO Comments. April 2000; Washington DC Movie Captioning Lawsuit

Report to Film Council – UK Film Council – British Film Institute

Inclusion Daily Express — One In Seven UK Cinemas Offers Captioning And Audio-Description | Cinema Technology Article – September 2008

Digital Screen Network Content Specification V1.1; 20 December 2005 [pdf]

Nondiscrimination on the Basis of Disability by Public Accommodations and in Commercial Facilities

Digital Cinema Specification Documents List

Screen Australia: Research – Cinema – Screens and theatres – Totals | – By exhibitor

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

Subtitled cinema – why it matters – Action On Hearing Loss: RNID

Open captions for movies – the real story | Media Access Australia

Fire Alarm to Protest Against a Captioned Movie? | Audio Accessibility

Deafness Council Western Australia Inc

Captioned movies

Deaf Chat | People Deaf Culture – AllDeaf.com

Captioning, Subtitles, Accessibility, Technology, CART, STTR, Language, Literacy, Translation, Interpretation

DCI 1.2 with Errata~! and High Frame Rate RP

(This is so important that I have wasted 4 of my exclamation point allocation!)

As SMPTE items take precedence over the DCI specs, DCI drops them from their documents. Now, perhaps you’re a rich buy with access to all the SMPTE docs and know how to find them. Or, like some, you know exactly how to get to the exact item in a version 1.2 document. Just sayin’.

DCI 1.2 with Errata~! and High Frame Rate RP

(This is so important that I have wasted 4 of my exclamation point allocation!)

As SMPTE items take precedence over the DCI specs, DCI drops them from their documents. Now, perhaps you’re a rich buy with access to all the SMPTE docs and know how to find them. Or, like some, you know exactly how to get to the exact item in a version 1.2 document. Just sayin’.

Vegas 2013 SMPTE/NAB CinemaCon

Calendar dates of SMPTE during NAB and CinemaCon

It happens again this year before switching back next year…CinemaCon immediately follows NAB in Vegas. This means that those who want to attend the SMTPE weekend, filled with more data than one can predict, but not NAB, and also attend CinemaCon, that there is a week in the middle.

Last year this was filled with a near-perfect EDCF bus tour arranged by Thomas MacCalla. From sound systems to important post houses (and who’ll forget being the first riders on the Universal Studios Transformers ride, or equally exciting, spending time talking with Laser Light Engines’ Bill Beck after the successful SMPTE showing of a laser driven Sony projector, and exchanging ideas with all the other european experts), the yearly bustour was yet again perhaps the highlight of the two weeks.

So what will it be in 2013? Can SMPTE out-do themselves…Can Nick Mitchell of Technicolor take the Marvin Hall Award for Telling Us What We Don’t Want to Hear again? Will there be another mis-named presentation that everyone complains for missing (what is white, really?) Will RealD demonstrat what they merely talk about at this coming SMPTE Hollywood Expo?

Vegas 2013 SMPTE/NAB CinemaCon

Calendar dates of SMPTE during NAB and CinemaCon

It happens again this year before switching back next year…CinemaCon immediately follows NAB in Vegas. This means that those who want to attend the SMTPE weekend, filled with more data than one can predict, but not NAB, and also attend CinemaCon, that there is a week in the middle.

Last year this was filled with a near-perfect EDCF bus tour arranged by Thomas MacCalla. From sound systems to important post houses (and who’ll forget being the first riders on the Universal Studios Transformers ride, or equally exciting, spending time talking with Laser Light Engines’ Bill Beck after the successful SMPTE showing of a laser driven Sony projector, and exchanging ideas with all the other european experts), the yearly bustour was yet again perhaps the highlight of the two weeks.

So what will it be in 2013? Can SMPTE out-do themselves…Can Nick Mitchell of Technicolor take the Marvin Hall Award for Telling Us What We Don’t Want to Hear again? Will there be another mis-named presentation that everyone complains for missing (what is white, really?) Will RealD demonstrat what they merely talk about at this coming SMPTE Hollywood Expo?

BuzzwordCompliance™ Detectors Already Overloading at IBC

One of the great parts of being Press at a convention like IBC is the absolute flood of email’d press releases that come in for weeks in advance. It allows one to prepare, and I am especially prepared for the BuzzwordCompliance Award.

So far, Customer Experience Management (CEM) Technology has got me hyped. I’ll spend the entire train ride to the show wondering why it isn’t CEMT.

BuzzwordCompliance™ Detectors Already Overloading at IBC

One of the great parts of being Press at a convention like IBC is the absolute flood of email’d press releases that come in for weeks in advance. It allows one to prepare, and I am especially prepared for the BuzzwordCompliance Award.

So far, Customer Experience Management (CEM) Technology has got me hyped. I’ll spend the entire train ride to the show wondering why it isn’t CEMT.

IBC Alert !!! Schiphol to RAI Train Disruption

Travel disruption during IBC2012…RAI <=> Schipol, Weekend Only

The Dutch Railway Service (NS) will be carrying out essential engineering works during the weekend of Saturday 8 and Sunday 9 September which will affect travel between Schipol airport and the RAI.

The train line from Schipol Airport to Holendrecht, via the RAI, will be affected, and no trains will run on this line during the weekend. There will be additional shuttle buses running from Schipol and surrounding hotels to the RAI, and Information Hostesses will be available at Schipol for additional travel information. You can see the (grey) train line affected here: http://www.amsterdamtips.com/images/amsterdam-metro-map.gif. Trams, metro and buses are not affected.

IBC Alert !!! Schiphol to RAI Train Disruption

Travel disruption during IBC2012…RAI <=> Schipol, Weekend Only

The Dutch Railway Service (NS) will be carrying out essential engineering works during the weekend of Saturday 8 and Sunday 9 September which will affect travel between Schipol airport and the RAI.

The train line from Schipol Airport to Holendrecht, via the RAI, will be affected, and no trains will run on this line during the weekend. There will be additional shuttle buses running from Schipol and surrounding hotels to the RAI, and Information Hostesses will be available at Schipol for additional travel information. You can see the (grey) train line affected here: http://www.amsterdamtips.com/images/amsterdam-metro-map.gif. Trams, metro and buses are not affected.

Digital Process Workflow at Createasphere

Digital Process Workflow Lab To Simulate Leading Real-World Post Production Strategies for Both Film and Television

Partners Bring Clarity, Cohesion to First-of-its-kind Pavilion at Createasphere’s Fall Entertainment Technology Expo

BURBANK, CA (August 14, 2012)   Three months before its scheduled launch, Createasphere and its partners have announced further developments in the content of the first-ever Digital Process Workflow (DPW) Lab at the fall edition of the Entertainment Technology Expo (ETE) being held at the Burbank Marriott, November 7-8. The DPW Lab is a curated, walk-through demonstration of the digital workflow ecosystem and the processes that define how content is created, distributed and archived today and in the near future. As both the feature film and broadcast industries continue to adopt new digital technologies, many production professionals are looking for guidance. The DPW Lab will demonstrate customizable strategies that are scalable and affordable, based on real-world solutions that Lab partners are integrating and creating every day in post.

DPW Lab partners – including Dell, ARRI, Technicolor, Adobe, 5th Kind, FilmLight, Signiant, Levels Beyond, Quantum, Codex and other leading solution providers – are working together to develop a demonstration of file-based content creation from capture to archive and distribution. Each company will contribute its authoritative expertise to an integrated pavilion that showcases today’s best-in-class digital workflow. The ultimate goal of the Lab is for attendees to leave with a “big-picture” understanding of how decisions at every stage of production and post production impact the quality of content generation, and how that content can be accessed and monetized for the future.

Interactive, educational sections of the DPW Lab will break down each step of the digital processes for feature film and television content creation. A simulated workflow will explore where post begins, how decision-making impacts each stage of the process, and how content is created with real-world solutions in mind. Areas of focus will include:

  • Capture – from camera, on-set dailies management, data capture, and file movement
  • Post – integration of editing, visual effects, finishing and color grading to deliverables
  • Storage – hardware, networking, digital asset management (DAM), and media asset management (MAM)
  • Security – addressing high level protection and performance
  • Distribution – global connectivity
  • Exhibition – cinema and home
  • Mobile – extending the story to second screen experiences
  • Archiving/preservation – accessibility, usability and monetization of content

“We are extremely proud to showcase our media and entertainment solutions in Createasphere’s Digital Process Workflow Lab this year,” said Laurie Hutto-Hill, general manager for Dell Telecommunications, Media & Entertainment. “The industry’s recent digital transition has created a need for consolidated hardware, unified workflow processes and intelligent storage and archive systems, and we’re thrilled to be able to demonstrate our ability to support these new digital models at the show this year.”

Industry alliances, keynote speakers and the availability of a downloadable guide and map for the Lab will be announced soon. For more information, visit http://www.createasphere.com/dpwlab.

About Createasphere
Createasphere is the premier business development partner for technology enabled entertainment, marketing, and communications organizations. We advance careers and technologies by connecting world-class professionals globally online and in person.

Createasphere was founded in 2001, and over the past decade has grown into a global company that in 2011 produced seventeen events over three continents as well as five websites. Createasphere became part of Diversified Business Communications in 2008, and now drives their entertainment, media, technology strategies and properties division. Currently, Createasphere produces the Entertainment Technology Expos in Los Angeles; the Digital Asset Management Conference in New York, Los Angeles, and Europe; The DAMMY Awards in New York; the Executive Marketplaces for Houses of Worship in Los Angeles and Chicago; Post Production Master Classes in New York and Los Angeles, the Digital Process Workflow Lab and the online news and content portals ProVideoCoalition.com, DamCoalition.com and ProPhotoCoalition.com.

Connect with Createasphere on:
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