All posts by Like Tangents In The Rain

Distractions…Too Much Interesting

6 December

The ASC: SIDE BY SIDE: Part One—A Point of View « John Bailey’s Bailiwick

iTunes – Podcasts – American Cinematographer Podcasts by American Cinematographer Magazine

Resolution vs. Aliasing: Implications for Motion Capture

The Bayer Sensor Strategy


3 December – The Onion Book of Known Knowledge: Full Color Excerpt, By America’s Top Satirical Newswriters

Where Are You Android Users? | TPM Editors Blog

EDCF Film Festival Tech Project – Interested? Write this editor…cjflynn@ this site

 


 

5 November – Slowing the speed of light game

A Slower Speed of Light | MIT Game Lab


5 Oct – Data scientists urged to share their big data skills with UK charities | IT PRO / This article is all over the map…but it is a starting point for a discussion for our industry. So many potentials. Someone please surprise me with an article on the subject for the entertainment technologies business please.

Independent and Foreign Films on DVD | Movie of the Month Club | Film of the Month Club | DVD of the Month Club
So the trick is, how does one get these films into the “Yes, we have tracks for the deaf, hard of hearing and visually impaired audiences
“?


The coolest “like a desert” theater design: magma architecture: masrah al qasba theater from designboom – You must scoll down to see the pictures.

Just in case you think that layouts need to be aestetic…here’s what happens when they are: Dataisnature

Ya just gotta know about Wood Gasification: Wood Gasification | GASEK

HFR, New ‘Silver Screen’ and 2 Hobbit Projectors

Analytics for US Patent No. 7,898,734, Polarization preserving front projection screen by Coleman, David A;Sharp, Gary D

The Christie PR on the dual projector set up is at the end of this article for download.

Here are some interesting articles on HFR (High Frame Rate): 

Beyond DCI – The Need for New D-Cinema Standards – Rajesh Ramachandran, CTO of Qube

Setting Standards for High Frame Rate Digital Cinema – Creative COW

Setting Standards for High Frame Rate Digital Cinema PART 2 – Creative COW

Variable HFR (High Frame Rate) Film Blog #1 | S3D Centre

Q&A ON HFR 3D Peter Jackson answers with some details on S3D48

HFR, New ‘Silver Screen’ and 2 Hobbit Projectors

Analytics for US Patent No. 7,898,734, Polarization preserving front projection screen by Coleman, David A;Sharp, Gary D

The Christie PR on the dual projector set up is at the end of this article for download.

Here are some interesting articles on HFR (High Frame Rate): 

Beyond DCI – The Need for New D-Cinema Standards – Rajesh Ramachandran, CTO of Qube

Setting Standards for High Frame Rate Digital Cinema – Creative COW

Setting Standards for High Frame Rate Digital Cinema PART 2 – Creative COW

Variable HFR (High Frame Rate) Film Blog #1 | S3D Centre

Q&A ON HFR 3D Peter Jackson answers with some details on S3D48

Excellent 3D Presentations of Ray Zone – RIP

Conference and Exhibition

The World’s Premier Conference for 3D Innovation

 
 

vale Ray Zone

The chairs and committee of the Stereoscopic Displays and Applications conference wish to recognize the contributions of 3D author and historian Ray Zone, who passed away last week.

We have read the many heartfelt and warm reports of Ray’s impact on and contributions to our stereoscopic 3D community.  It is clear that Ray was an inspiration to many in the 3D community.  He was warm and generous and always happy to share his vast knowledge with newcomers as well as with fellow experts.  He will be acutely missed and remembered in the years to come.

As a tribute to Ray’s accomplishments in the world of stereoscopic 3D, the SD&A conference, SPIE and IS&T, have made available three items to help us remember Ray:

–          A short candid 3D video of Ray at the _1992_ SD&A conference filmed by David Starkman.  The video is available on YouTube3D here:  http://www.youtube.com/watch?v=rgFCryWZtXM

–          Then we can fast-forward 20 years to the _2012_ SD&A conference this past January to witness Ray’s conference presentation “Thinking in Z-Space: Flatness and Spatial Narrativity”
http://river-valley.tv/thinking-in-z-space-flatness-and-spatial-narrativity/
At the beginning of the video you can hear Ray saying “I’ve been coming to this conference now for 20 years on and off and it’s a joy to be here” – it’s not often that there is video evidence of that 20 year involvement!

–          Finally, SPIE Press has kindly provided open access to Ray’s two published papers that were presented at the SD&A conference in 1996 and 2012.
The papers are: 
Ray Zone (2012) “Thinking in Z-Space: Flatness and Spatial Narrativity”
http://proceedings.spiedigitallibrary.org/proceeding.aspx?articleid=1282677
and
Ray Zone (1996) “Deep image: 3D in art and science” (Keynote Presentation)
http://proceedings.spiedigitallibrary.org/proceeding.aspx?articleid=1013971
These papers will remain open access until the end of February.

You may also wish to visit his Wikipedia entry: http://en.wikipedia.org/wiki/Ray_Zone

We hope you will appreciate this opportunity to see, hear and read of Ray’s impact on the 3D community.

RIP Ray.

Andrew Woods

Co-Chair Stereoscopic Displays and Applications

www.stereoscopic.org

 

 

Excellent 3D Presentations of Ray Zone – RIP

Conference and Exhibition

The World’s Premier Conference for 3D Innovation

 
 

vale Ray Zone

The chairs and committee of the Stereoscopic Displays and Applications conference wish to recognize the contributions of 3D author and historian Ray Zone, who passed away last week.

We have read the many heartfelt and warm reports of Ray’s impact on and contributions to our stereoscopic 3D community.  It is clear that Ray was an inspiration to many in the 3D community.  He was warm and generous and always happy to share his vast knowledge with newcomers as well as with fellow experts.  He will be acutely missed and remembered in the years to come.

As a tribute to Ray’s accomplishments in the world of stereoscopic 3D, the SD&A conference, SPIE and IS&T, have made available three items to help us remember Ray:

–          A short candid 3D video of Ray at the _1992_ SD&A conference filmed by David Starkman.  The video is available on YouTube3D here:  http://www.youtube.com/watch?v=rgFCryWZtXM

–          Then we can fast-forward 20 years to the _2012_ SD&A conference this past January to witness Ray’s conference presentation “Thinking in Z-Space: Flatness and Spatial Narrativity”
http://river-valley.tv/thinking-in-z-space-flatness-and-spatial-narrativity/
At the beginning of the video you can hear Ray saying “I’ve been coming to this conference now for 20 years on and off and it’s a joy to be here” – it’s not often that there is video evidence of that 20 year involvement!

–          Finally, SPIE Press has kindly provided open access to Ray’s two published papers that were presented at the SD&A conference in 1996 and 2012.
The papers are: 
Ray Zone (2012) “Thinking in Z-Space: Flatness and Spatial Narrativity”
http://proceedings.spiedigitallibrary.org/proceeding.aspx?articleid=1282677
and
Ray Zone (1996) “Deep image: 3D in art and science” (Keynote Presentation)
http://proceedings.spiedigitallibrary.org/proceeding.aspx?articleid=1013971
These papers will remain open access until the end of February.

You may also wish to visit his Wikipedia entry: http://en.wikipedia.org/wiki/Ray_Zone

We hope you will appreciate this opportunity to see, hear and read of Ray’s impact on the 3D community.

RIP Ray.

Andrew Woods

Co-Chair Stereoscopic Displays and Applications

www.stereoscopic.org

 

 

DoJ Links…and others

Maybe you’re researching:

2010 ADA Standards for Accessible Design [Large PDF; Search on “219.3 Receivers.”]

Digital accessibility: Exhibition industry aims to deliver entertainment for all

Feds consider movie-captioning rule : Hearing Loss Law

Live Webcast – ANPRM Hearing in Washington, DC – open captions

Digital Cinema Specification Documents FAQ from a software writer and all around nice guy, Wolfgang Woehl

‎isdcf.com/papers/20091111-TimelineForAccessibility.pdf 

Troubles getting CSP/RPL protocol through SMPTE

Nondiscrimination on the Basis of Disability: Movie Captioning and Video Description [DoJ Proposed Rule]

Movies | Hearing Loss Association of America [Great List of Advances]

Captionfish – a Captioned Movies Search Engine: The latest captioning technology – a 2011 CinemaCon report

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

Enabling the Disabled in Digital Cinema [Kaagsian Article]

Update on Digital Cinema Support for Those with Disabilities: December 2010 [Karagosian Site]

Subtitled cinema – why it matters – Action On Hearing Loss: RNID

Fire Alarm to Protest Against a Captioned Movie? | Audio Accessibility

Captioning, Subtitles, Accessibility, Technology, CART, STTR, Language, Literacy, Translation, Interpretation

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

‎www.titrafilm.com/uploads/Sourds_malentendant_audiodescription_TITRA_FILM.fr.pdf

‎www.uslinc.com:8880/ftp/CCE-100/Cce100manual.pdf

Your Local Cinema .com – Subtitled and Audio Described cinema

Community and Culture – Frequently Asked Questions | National Association of the Deaf

Agreement on Terminology – International Federation of Hard of Hearing People

‎Washington State Communication Access Project Final Order (pdf)

 Accessibility at AMC Theaters – In Theaters and Online

Association of Science–Technology Center; What Captioning Is and Who Uses It

NATO Comments. April 2000; Washington DC Movie Captioning Lawsuit

Report to Film Council – UK Film Council – British Film Institute

Inclusion Daily Express — One In Seven UK Cinemas Offers Captioning And Audio-Description | Cinema Technology Article – September 2008

Digital Screen Network Content Specification V1.1; 20 December 2005 [pdf]

Nondiscrimination on the Basis of Disability by Public Accommodations and in Commercial Facilities

Digital Cinema Specification Documents List

Screen Australia: Research – Cinema – Screens and theatres – Totals | – By exhibitor

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

Subtitled cinema – why it matters – Action On Hearing Loss: RNID

Open captions for movies – the real story | Media Access Australia

Fire Alarm to Protest Against a Captioned Movie? | Audio Accessibility

Deafness Council Western Australia Inc

Captioned movies

Deaf Chat | People Deaf Culture – AllDeaf.com

Captioning, Subtitles, Accessibility, Technology, CART, STTR, Language, Literacy, Translation, Interpretation

DoJ Links…and others

Maybe you’re researching:

2010 ADA Standards for Accessible Design [Large PDF; Search on “219.3 Receivers.”]

Digital accessibility: Exhibition industry aims to deliver entertainment for all

Feds consider movie-captioning rule : Hearing Loss Law

Live Webcast – ANPRM Hearing in Washington, DC – open captions

Digital Cinema Specification Documents FAQ from a software writer and all around nice guy, Wolfgang Woehl

‎isdcf.com/papers/20091111-TimelineForAccessibility.pdf 

Troubles getting CSP/RPL protocol through SMPTE

Nondiscrimination on the Basis of Disability: Movie Captioning and Video Description [DoJ Proposed Rule]

Movies | Hearing Loss Association of America [Great List of Advances]

Captionfish – a Captioned Movies Search Engine: The latest captioning technology – a 2011 CinemaCon report

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

Enabling the Disabled in Digital Cinema [Kaagsian Article]

Update on Digital Cinema Support for Those with Disabilities: December 2010 [Karagosian Site]

Subtitled cinema – why it matters – Action On Hearing Loss: RNID

Fire Alarm to Protest Against a Captioned Movie? | Audio Accessibility

Captioning, Subtitles, Accessibility, Technology, CART, STTR, Language, Literacy, Translation, Interpretation

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

‎www.titrafilm.com/uploads/Sourds_malentendant_audiodescription_TITRA_FILM.fr.pdf

‎www.uslinc.com:8880/ftp/CCE-100/Cce100manual.pdf

Your Local Cinema .com – Subtitled and Audio Described cinema

Community and Culture – Frequently Asked Questions | National Association of the Deaf

Agreement on Terminology – International Federation of Hard of Hearing People

‎Washington State Communication Access Project Final Order (pdf)

 Accessibility at AMC Theaters – In Theaters and Online

Association of Science–Technology Center; What Captioning Is and Who Uses It

NATO Comments. April 2000; Washington DC Movie Captioning Lawsuit

Report to Film Council – UK Film Council – British Film Institute

Inclusion Daily Express — One In Seven UK Cinemas Offers Captioning And Audio-Description | Cinema Technology Article – September 2008

Digital Screen Network Content Specification V1.1; 20 December 2005 [pdf]

Nondiscrimination on the Basis of Disability by Public Accommodations and in Commercial Facilities

Digital Cinema Specification Documents List

Screen Australia: Research – Cinema – Screens and theatres – Totals | – By exhibitor

showusthecaptions [licensed for non-commercial use only] / Show Us the Captions! Online Press Room

Subtitled cinema – why it matters – Action On Hearing Loss: RNID

Open captions for movies – the real story | Media Access Australia

Fire Alarm to Protest Against a Captioned Movie? | Audio Accessibility

Deafness Council Western Australia Inc

Captioned movies

Deaf Chat | People Deaf Culture – AllDeaf.com

Captioning, Subtitles, Accessibility, Technology, CART, STTR, Language, Literacy, Translation, Interpretation

DCI 1.2 with Errata~! and High Frame Rate RP

(This is so important that I have wasted 4 of my exclamation point allocation!)

As SMPTE items take precedence over the DCI specs, DCI drops them from their documents. Now, perhaps you’re a rich buy with access to all the SMPTE docs and know how to find them. Or, like some, you know exactly how to get to the exact item in a version 1.2 document. Just sayin’.

DCI 1.2 with Errata~! and High Frame Rate RP

(This is so important that I have wasted 4 of my exclamation point allocation!)

As SMPTE items take precedence over the DCI specs, DCI drops them from their documents. Now, perhaps you’re a rich buy with access to all the SMPTE docs and know how to find them. Or, like some, you know exactly how to get to the exact item in a version 1.2 document. Just sayin’.

PDF – Friend? or Zero Day Future?

Security stories rarely make the front page around here, but the presumed safe PDF file is going to hit the news. Zero-Day~! is a headline that you don’t want to participate in, and one is predicted for PDF files in the near future. We should therefore remind ourselves of the basics.

Security people use the term “Attack Vector” to describe a route that a presumed malicious person uses to somehow gain control of a computer. The cuddly pdf has been a vector in the past, then Adobe gave it a “sandbox” – which is yet another term of security art. In this case, imagine a place where the program can look at and manipulate the incoming code before allowing it to do something. For example, a pdf is allowed to reproduce graphic files within the text. The program – very quickly – allows that graphic to load up in the internal sandbox only, decides that it is not a secret dagger aiming at the CPU, and lets it pass to the graphics chip.

What has happened in the past is that black hats are using things like graphics files to hide malicious code, like trojan horses or viruses. The idea is that the graphic is allowed, therefore this might slip through without triggering a virus checker. You’ll often hear the word ‘sandbox’ and Javascript, because it is often manipulations of Javascript code in a pdf that is the problem.

The news is that someone has figured a way around the sandbox. They can show themselves using a script that exploits Adobe Reader. This someone is letting other blackhats know that the code might be available for their use if they just pay up. The full story can be read here: Experts Warn of Zero-Day Exploit for Adobe Reader — Krebs on Security. That’s right, the bad guys are holding a virtual auction to see who wants to spread the most havoc.

There are a few solutions to this. Get everyone on a Mac, since this exploit is targetted onto Windows users, especially those who haven’t upgraded to Reader 11. Even with Reader 11, go to Preferences in all versions of Reader and turn off Reader Javascript. Most likely you won’t notice. 

Next solution is: don’t allow PDF files onto production equipment, at all, anymore. Period. The files, no matter who you got them from, cannot be presumed to be innocuous.

If you are creating a file that you know will be going to editors or projectionists or people who might stick it onto production equipment, save it as a PDF/A file. LibreOffice and OpenOffice and Microsoft Office ’07 and ’10 all support this export file version of a pdf. The PDF/A file can’t hide code because it doesn’t allow certain things to run in it.

Stay Aware. 

PDF – Friend? or Zero Day Future?

Security stories rarely make the front page around here, but the presumed safe PDF file is going to hit the news. Zero-Day~! is a headline that you don’t want to participate in, and one is predicted for PDF files in the near future. We should therefore remind ourselves of the basics.

Security people use the term “Attack Vector” to describe a route that a presumed malicious person uses to somehow gain control of a computer. The cuddly pdf has been a vector in the past, then Adobe gave it a “sandbox” – which is yet another term of security art. In this case, imagine a place where the program can look at and manipulate the incoming code before allowing it to do something. For example, a pdf is allowed to reproduce graphic files within the text. The program – very quickly – allows that graphic to load up in the internal sandbox only, decides that it is not a secret dagger aiming at the CPU, and lets it pass to the graphics chip.

What has happened in the past is that black hats are using things like graphics files to hide malicious code, like trojan horses or viruses. The idea is that the graphic is allowed, therefore this might slip through without triggering a virus checker. You’ll often hear the word ‘sandbox’ and Javascript, because it is often manipulations of Javascript code in a pdf that is the problem.

The news is that someone has figured a way around the sandbox. They can show themselves using a script that exploits Adobe Reader. This someone is letting other blackhats know that the code might be available for their use if they just pay up. The full story can be read here: Experts Warn of Zero-Day Exploit for Adobe Reader — Krebs on Security. That’s right, the bad guys are holding a virtual auction to see who wants to spread the most havoc.

There are a few solutions to this. Get everyone on a Mac, since this exploit is targetted onto Windows users, especially those who haven’t upgraded to Reader 11. Even with Reader 11, go to Preferences in all versions of Reader and turn off Reader Javascript. Most likely you won’t notice. 

Next solution is: don’t allow PDF files onto production equipment, at all, anymore. Period. The files, no matter who you got them from, cannot be presumed to be innocuous.

If you are creating a file that you know will be going to editors or projectionists or people who might stick it onto production equipment, save it as a PDF/A file. LibreOffice and OpenOffice and Microsoft Office ’07 and ’10 all support this export file version of a pdf. The PDF/A file can’t hide code because it doesn’t allow certain things to run in it.

Stay Aware.