The transition from 8 channels to 16 channels of audio in the digital cinema domain has brought a surprising amount of angst recently. Actually, it was only a proxy for the entire transition from the nothing-but-potential era of 10 years ago, through what was called the InterOp Standard and into a set of standards created by the SMPTE.
This transition has been mirrored in the world of the deaf and hard of hearing as it relates to the digital cinema world.













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