The aim of this blog is to provide an overview and compare 2D to 3D conversions with shooting in stereo or “native” 3D.
[Originally posted at The 3D Company: "Native” 3D versus 2D to 3D conversion: Pros and Cons | THE 3D COMPANY]
The aim of this blog is to provide an overview and compare 2D to 3D conversions with shooting in stereo or “native” 3D.
[Originally posted at The 3D Company: "Native” 3D versus 2D to 3D conversion: Pros and Cons | THE 3D COMPANY]
Hugo and The Joy of Filmmaking - Creative COW
"Hugo had perhaps a greater mission to fulfill than many VFX-themed movies because it was celebrating the life and work of the...
Digital Asset Management technology has to be the underlying hip technology of the universe right now. From oil and gas to our parents iPad, everyone has more data than w...

A lot of nice touches from a film maker who has had find the solutions to his own problems. This system backs up data in the field, puts the data out to LTO and whatever ...
There are many who know more about movie equipment than they do about all the fluff and glamor which pays for it all. Showbiz...
DCinemaTools.com is pleased to have added a free feature called The Business Directory. Free to use, free to enter. If a per...
Coming soon, a dynamic list of DCinema tech videos.
In May of 2002, the Attack of the Clones (Star Wars II) was released after a great effort by George Lucas. He encouraged cine...
Hello; a friend is giving a presentation at Camera Image Conference at the end of November 2011. We would apprecia...
The dream of creating DCPs for local commercials and film festivals by artists using simple yet affordable tools just took a ...
There are several groups who represent the varied and specific interests of the community of people with disabilities in...
3D Luminance Issues—Photopic, barely. Mesopic, often. Scotopic? Who knows...? We don't mean to be picking on the good ...
This document is Part 0 of an multipart article that details with the basics of today's transition from film-based cinema to ...
Marketing Guru Adrian Weidmann says, "Always Solve For Why". In the Digital Cinema Age there are several more Quality Control...
Part I of this series ended with generalities about where DCinema has been and how it got here. Since the series is written...
As it is in many fields, the world of cinema involves a broad reach of talent and technology that begins with an artistic i...
SMPTE and DCI specs notwithstanding, measuring an auditorium is an art, not a science. Even a non-silver screen with gain is ...
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